[英] 玛格丽特·米（Margaret Mee）著 英国植物艺术家、探险家，专注于亚马孙森林植物研究。她的作品深受世界各地的植物学家和艺术评论家的赞誉。 1909年5月22日，玛格丽特出生在英国中产之家，早期受过良好的文化、艺术和戏剧教育，战争时期帮助好友躲避纳粹， 后进入飞机制造工厂绘制图纸为国效力。1956年，47岁的她进入了巴西雨林，开始了长达32年的森林探险，为植物科学和环保事业奉献了自己的后半生。她曾先后15次深入亚马孙流域的勘探，记录和绘制那里的珍奇植物。由她发现和命名的植物，便有9种之多。1988年11月30日晚，她在莱斯特的交通意外中去世。在其后举办的追思会中，英国菲利普亲王及巴西政要均到场致哀。 她曾获得： 🏆 1971 · 古根海姆奖 🎖 1976 · 大英帝国员佐勋章 🎖 1979 · 巴西共和国南十字星勋章 🏅 1986 · ...(展开全部)

We’ve all seen red roses, blue irises, and yellow daffodils. But when we really look closely at a flower, whole new worlds of beauty and intricacy emerge. Using a unique process that far surpasses conventional macro photography, Robert Llewellyn shows us details that few of us have ever seen: the amazing architecture of stamens and pistils; the subtle shadings on a petal; the s...(展开全部)

夏尔·波德莱尔（Charles Baudelair, 1821-1867），法国诗人。作品有诗集《恶之花》和散文诗集《巴黎的忧郁》，另写有大量文学和美学论文。他被认为是使欧洲人的经验方式和写作方式发生重大变革的作家，他的美学理论在诗歌和艺术史上是一个重大转折点，是现代主义各流派灵感与理论的不尽泉源。

December 1937. The Japanese have taken Nanking. A group of terrified schoolgirls hides in the compound of an American church. Among them is Shujuan, through whose thirteen-year-old eyes we witness the shocking events that follow. Run by Father Engelmann, an American priest who has been in China for many years, the church is supposedly neutral ground in the war between China and...(展开全部)

Jack Goody's new book takes as its theme the symbolic and transactional uses of flowers in secular life and religious ritual from ancient Egypt to modern times. He links the use of flowers to the rise of advanced systems of agriculture, the growth of social stratification, and the spread of luxury goods, looking at the history of aesthetic horticulture in Europe and Asia. Other...(展开全部)

NEW YORK TIMES BESTSELLER The Victorian language of flowers was used to convey romantic expressions: honeysuckle for devotion, asters for patience, and red roses for love. But for Victoria Jones, it’s been more useful in communicating mistrust and solitude. After a childhood spent in the foster-care system, she is unable to get close to anybody, and her only connection to ...(展开全部)

「男が好きなら、俺としてみない?」アパートの 隣人でモデルの誠に、誘われてしまった亮。 もしかして俺ってゲイなの…? カラダ先行の 関係に戸惑う亮だけど、誠の想いは真剣らしい。 しかもある日、美貌の隣人・南野からも手を 出されてしまった！！ 年上の男二人は無垢な亮を 可愛がるように迫ってきて！? セクシャルラブ?

Review by Ann Copeland: "Patti Smith's foreword, "A Final Flower," is a poetic tribute to the late photographer whose recent retrospective exhibition sparked a national legal debate over censorship in the arts. Smith's observation that Mapplethorpe embraced "the flower as the embodiment of all the contradictions reveling within," and in these photographs "found it was as easy t...(展开全部)

桑德拉•吉尔伯特（Sandra M. Gilbert）、苏珊•古芭（Susan Gubar） 均为西方女权主义和女性主义文学研究领域颇具影响力的学者。她们是当代美国女权主义文学批评的创始人之一。两人长期合作，撰写了《阁楼上的疯女人》《诺顿女性文学选集》《没有男人的地带》等女权主义批评论著。 杨莉馨 南京大学文学博士。现任南京师范大学文学院教授、博士生导师，主要从事英美文学、女性文学及中外文学关系研究。已出版学术专著《西方女性主义文论研究》《异域性与本土化：女性主义诗学在中国的流变与影响》《20世纪文坛上的英伦百合：弗吉尼亚•伍尔夫在中国》《“我的河在向你奔来”：20世纪英语女作家在中国》等；译著有《葛特露和克劳狄斯——〈哈姆莱特〉前传》《通过身体思考》《阅读日记：重温十二部文学经典》《文尼莎与弗吉尼亚》等。

Nominated for 1979 National Book Critics Circle Award in Literature (on the earlier edition). Runner-up for the 1980 Pulitzer Prize in General Nonfiction. This pathbreaking book of feminist criticism is now reissued with a substantial new introduction by Sandra Gilbert and Susan Gubar that reveals the origins of their revolutionary realization in the 1970s that "the personal wa...(展开全部)